The
stage (west) is set against the back of the mansion. With its towers and weather vanes like
pennants, the house looks like the Tower of London. Layer of clouds at the west, orange rim
between the horizon and the clouds.
Otherwise clear. Tchaikovsky's
Romeo & Juliet, good sound.
Such
picnics! Tables and chairs, baskets,
wine, strawberries and cream, trifle, china, champagne glasses, Bailey's
samples (as close as we get to cream at home!).
Thermoses, coolers, umbrella staked out areas. Bugs.
Casual dress, blankets.
Thomas:
"Where does the music come from?"
Rolled
down my sleeves at 8:30. A sweater would
not be out of place.
Mara
and the boys: playing catch with a green tennis ball at the fringes. We are in the southeast corner of the
audience, in the back.
Fireworks
at the end with the 1812 Overture. Smoke
blows by in patterns against a clear sky, like a plant or a flower, a weed
seed, borne by the wind. Purple, green
and red smoke. I can almost picture
battle smoke blowing by Audley End years and years ago. Red smoke, perhaps a spider mother laying
eggs or babies.
Monday
20 July. After 10 p.m. Thunder, lightning (big, bold flashes) and
rain for over an hour.
Reading
Glittering Images by Susan Howatch. Page
270 (Fontana, paperback) (Jon Darrow (confessor, abbot of Fordites in
Grantchester) to Charles Ashworth, novel's hero):
. . . if you regard him [your early self, the one who
did things you can't forgive] with sympathy instead of horror then a different
image will begin to appear in the mirror.
Love and compassion breed understanding and forgiveness, and once a
man's understood himself sufficiently to forgive himself for his mistakes, the
unfitness is made whole, the unworthiness is redeemed -- and that's what we
want, isn't it, Charles? We want to
restore your belief in your own work so that you can find the courage to set
aside the glittering image [not the true self] and triumph over this tyrant
who's tormented you for so long.
Brian
reportedly said, we should never have come.
A 180 degree change from last year.
Change of mind or just gossip?
We
leave a week tomorrow. Cathy working
herself silly, but in bed by 10 tonight.
(I took a nap from five to seven.)
Saturday, I think it was, I felt as I did last year before we left Las
Vegas. I don't recall the exact feeling
now, but I remember all of a sudden getting the feeling and remembering it from
last year. (Another deja vu recently: stepping out of the shower, getting dressed for
London, like Dancing at Laughnasa?) I
also realize how I do not think much of the U.S., just our remaining time here. Like last year, I did not think much of
England before we left New York. That
is, I didn't spend much time dwelling on what England would be like, apart from
the problems. I was too busy focusing on
U.S. problems before we left.
Storm
appears to have passed, though still rain . . .
Story,
novel idea: our character sketches,
e.g., nine children plus parents, small time frame, how you have all those
points of view, disagreements, yet love keeps it all together.
Heard
of short story that imagines characters in a painting!
Glittering
Images again (p.272) Charles: "If I
don't feel unfit and unworthy, then I won't be so dependent on people liking
and approving me and I won't need the glittering image to secure their liking
and approval."
Wednesday
22 July. 8 a.m.
Glittering
Images (p.403) (Ashworth): "I wondered dimly how anyone ever survived
their families."
p.
415 (from Dr. Romaine, Ashworth's natural father): "It's only the
unconsummated passions of this world which go on and on like a never ending
gramophone record, and personally I always think it's better to leap into bed
and have done with it . . . ."
Thursday
23 July. After 8 a.m. Cool outside, blue sky with clouds.
My
parents are up, as is Mara. Everyone
else still in bed on the first full day of summer break.
I
have an occasional knot in my stomach as we prepare to leave; sad at goodbye,
also fearful that we will run out of money somewhere on the way home. I have to keep reminding myself that I must
"trust in God." (In quotes
because last night my mother said, "As my mother used to say . . ." and
my father got after her about this, repeating the phrase, making fun of
her. How often does she remark that I
take the other side of what she says, but last night I came to her defense. Mer was wise.
[Dad wanted Mom to say "As Robert says . . ." which she often
does, though he claims never, perhaps never in front of him.] Anyway, in quotes because one of the things I
remember that Mer used to often say was, "Trust in God." I can still hear her saying it.)
Of
course I remember the same thoughts last year, worrying, when I really looked
at what we were doing, about money. How
could we afford all this? Forcing myself to suppress the worries and believe
that everything would work out; and of course it did. (Miraculously! Fabulously!)
Speaking
for myself: I have not once looked back.
Never longed to be in Las Vegas, never missed "home"; nothing
like that at all. It therefore seems
somewhat strange to say that we're going "home," when, of course, we
are home right now.
Do
I hate Las Vegas, or perhaps just actively dislike it? I know when we first moved there I hated
it. Later, however, I grew to like
it. There was, after all, the attraction
of family, and those magnificent vistas: clouds, mountains, sky. (I often think how much I would enjoy living
in a place as green as England, but yesterday, as I read a description, in
China Lake by Anthony Hyde, about the Mojave desert, I thought of Santa Fe and
roasted chili, and hungered for the desert, at least the Santa Fe
version.) After a few years, as family
attachments to Las Vegas lessened (people went away to school, etc.) my
economic attachments became paramount: the house, the nice income, the job,
etc., as well as the prestige that attached to my job. Thus, my place in life since 1968.
It
is strange that I have not missed Las Vegas.
A sign that it holds no place in my heart.
Finished
Glittering Images. Perhaps I am used to
stronger action/conflict. It was
essentially a slow unravelling of the inner psyche of Charles Ashworth, with a
few twists and turns. Written well, but
not as wonderful or as great as I would have expected from the jacket
blurbs. Some good lines however. I particularly liked at the end, with Father Darrow
acting like an exorcist, responding to threats and anger asserted against him:
that's the demon of guilt, that's your demon of shame, that's your demon of
rage. I felt as if those demons could
have been my own and wondered how to exorcise them.
Funny
how we form attachments at dinner conversations, going from one side to
another.
Robert
in tears last night, wants to see Seymours again. They're leaving Friday for holiday in
Cornwall.
In London for the Day: the Sisley Exhibit and Grand Hotel |
Above: A Party at the Seymours |
Lunch in Cambridge |
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